Dysmetropsia

Oct 16
all day. every day.

all day. every day.

Sep 30

"I’ll tell you why I’m so thrilled about colors. Ten years ago I was allowed to shoot in the staff restrooms of a grocery store. I had to squeeze two actors, the entire crew, equipment and lights—all into a room measuring 2x2.5 meters. It was not possible to paint the white wall. When I was making I Hired a Contract Killer in London, I went totally berserk. I realized that I could influence these things. Before that I had always been forced to shoot at supermarkets, between packs of sausages and cold storage equipment. With Killer I realized that I could put color on the walls, how wild this can be. All you need is a color chart in your pocket… [Edward] Hopper’s influence is quite strong. I like his austerity. The clear colors. I like playing with colors, extending them beyond reality.” [1996]

"The head is a big cooking pot in which all ingredients are haphazardly mixed: everything you have experienced, read, seen in films. Then you ladle it out with what I hope is some kind of logic. For instance, blue-gray is my basic set design color, and that is from Melville, and then I may add some red because a red teapot looks good in Ozu’s films. I just use a fire extinguisher because our tea ceremony is so underdeveloped." [2011]

Aki Kaurismäki

Sep 29

confidentialityspice:

Community 1.14 - Pierce watches Britta’s tap dance recital

Sep 13

havocados:

zenpencils:

MARC MARON ‘The social media generation’

wow

Sep 08
Aug 31
disgusted:

☠vintage☠
Aug 20
Aug 02

Filmmakers as children: Luis Buñuel, Ingmar Bergman, Yasujiro Ozu, Satyajit Ray, Akira Kurosawa, Rainer Werner Fassbinder, Jacques Tati, Andrei Tarkovsky, and Stanley Kubrick.

Jul 19
Jul 12
Jun 21

supersonicelectronic:

Carla Andrade.

I’m sort of in love with this series of photographs by Carla Andrade entitled “Paths to Land”:

Read More

May 27

noomirapace:

‘Daisy Diamond’ Photocall in Stockholm (2007)

May 11
I really miss Dan Harmon and this season’s finale really set it in stone for me. This last season has been alright, not terrible but not really that great either - just… alright. When I go back and reminisce about previous season’s episodes, I’m reminded not only of how much I used to truly adore Community, but also how witty and on key the writing was. Dan Harmon managed to create a world full of offbeat and ridiculous characters turned relatable and realistic through their faults and relationships. It was the first show where I felt I could actually relate to a character or characters and by the third season it had started to feel like a place to call home for anyone that had ever felt weird or like they didn’t fit in. It reassured you that being weird was not only okay but not weird at all - it was normal. Community wasn’t a show about broken people, it was a show about people, who, like everyone, were a little bit broken.
"There are no normal people, there are just different kinds of weird, all of it is human and all humanity is better than everything inhuman." 
Dan Harmon really cared about his fans and it showed; Community’s first three seasons were geeky, smart, poignant, and full of subtle, well timed jokes and references that made watching it enjoyable and memorable. So it doesn’t really seem surprising to me that this season fell a bit short of what I had come to expect from the previous three seasons. While David Guarascio and Moses Port seem to be fans and tried their best to preserve Community (this season wasn’t awful and I certainty don’t think it’s fair to blame them for it’s failings) there was just something missing. The characters seemed like just that - characters, and for as much as I wanted to believe that things would just go back to the way they were after Harmon was let go… they didn’t. Things just didn’t feel the same. Harmon made Community, not only literally but figuratively as well, and while it’ hasn’t been terrible without him, it certainly hasn’t been the same.

I really miss Dan Harmon and this season’s finale really set it in stone for me. This last season has been alright, not terrible but not really that great either - just… alright. When I go back and reminisce about previous season’s episodes, I’m reminded not only of how much I used to truly adore Community, but also how witty and on key the writing was. Dan Harmon managed to create a world full of offbeat and ridiculous characters turned relatable and realistic through their faults and relationships. It was the first show where I felt I could actually relate to a character or characters and by the third season it had started to feel like a place to call home for anyone that had ever felt weird or like they didn’t fit in. It reassured you that being weird was not only okay but not weird at all - it was normal. Community wasn’t a show about broken people, it was a show about people, who, like everyone, were a little bit broken.

"There are no normal people, there are just different kinds of weird, all of it is human and all humanity is better than everything inhuman."

Dan Harmon really cared about his fans and it showed; Community’s first three seasons were geeky, smart, poignant, and full of subtle, well timed jokes and references that made watching it enjoyable and memorable. So it doesn’t really seem surprising to me that this season fell a bit short of what I had come to expect from the previous three seasons. While David Guarascio and Moses Port seem to be fans and tried their best to preserve Community (this season wasn’t awful and I certainty don’t think it’s fair to blame them for it’s failings) there was just something missing. The characters seemed like just that - characters, and for as much as I wanted to believe that things would just go back to the way they were after Harmon was let go… they didn’t. Things just didn’t feel the same. Harmon made Community, not only literally but figuratively as well, and while it’ hasn’t been terrible without him, it certainly hasn’t been the same.

May 09

From the album MCII, 

Apr 17
don’t tease the cat with straws

don’t tease the cat with straws